Cultural Center of the Philippines Names New Chief Curator

The Cultural Center of the Philippines (CCP) has announced the appointment of Carlos Quijon Jr. as the chief curator for its contemporary art museum. This strategic move precedes the institution's anticipated reopening in early next year, following a comprehensive renovation project initiated in 2021. Quijon, renowned as an art historian, curator, and critic, is expected to play a pivotal role in reinvigorating the CCP's artistic vision and expanding its influence within both local and international art dialogues.
With a distinguished background that includes a research fellowship at MoMA in New York and various curatorial endeavors, Quijon is poised to bring a fresh perspective to the CCP. His appointment underscores the center's commitment to showcasing diverse artistic expressions and fostering a vibrant cultural landscape in the Philippines. The forthcoming reopening and Quijon's leadership are anticipated to mark a significant new chapter for the CCP, solidifying its position as a leading hub for contemporary art.
CCP's Vision for a Renewed Artistic Landscape
As the Cultural Center of the Philippines gears up for its grand reopening early next year, it embarks on a transformative journey with the appointment of Carlos Quijon Jr. as the new chief curator of its contemporary art museum. This strategic decision is a cornerstone of the CCP's broader initiative to not only revitalize its physical infrastructure, which has been undergoing renovation since 2021, but also to inject fresh intellectual and artistic energy into its programming. The selection of Quijon, a distinguished art historian and curator, reflects the institution's ambition to elevate its role as a beacon of cultural innovation and artistic excellence within the region and globally. His expertise is expected to enrich the museum's offerings, ensuring that the CCP remains at the forefront of contemporary art discourse.
Quijon's new role is critical in shaping the future trajectory of the CCP's artistic endeavors. His mandate extends beyond curating exhibitions; it encompasses a vision to bolster the center's position in national and international art conversations. With a proven track record that includes curating the Philippine Pavilion at the Venice Biennale and holding an inaugural research fellowship at MoMA, Quijon brings a wealth of global experience and a deep understanding of contemporary art trends. The CCP's leadership views his appointment as an opportunity to leverage his insights and global network to enhance the artistic sensibilities of Filipino artists and promote their work to a wider audience, thereby fostering a dynamic and inclusive artistic environment.
Carlos Quijon Jr.'s Curatorial Expertise and Impact
Carlos Quijon Jr. steps into his role as chief curator for the Cultural Center of the Philippines' contemporary art museum with an impressive resume that highlights his profound influence in the art world. An accomplished art historian, curator, and critic, Quijon has seamlessly navigated between Manila and New York, contributing significantly to the discourse surrounding contemporary and modern art in Southeast Asia. His notable two-year tenure as the inaugural C-MAP research fellow at MoMA speaks volumes about his scholarly depth and innovative approach to art historical research and exhibition development. This background positions him uniquely to lead the CCP's museum, ensuring a vibrant and intellectually stimulating artistic program that resonates with both local and international audiences.
Quijon's curatorial prowess is further demonstrated by his past achievements, including his pivotal role in organizing the Philippine Pavilion at the 2024 Venice Biennale. He has also curated significant exhibitions such as Lesley-Anne Cao's show in Kuala Lumpur and "Echoes and Mirages," an exploration of art connections across the Atlantic and Pacific oceans, presented in São Paulo. Beyond his curatorial work, Quijon's insightful critical writings have graced the pages of esteemed publications like Artforum, ArtReview, and Frieze. His diverse experiences and intellectual contributions are expected to be instrumental in advancing the CCP's mission to advocate for Filipino artists and firmly establish the center's relevance in the global contemporary art scene.
