Katrien Van Der Schueren's 'The Ark of Us' Series: A Modern Take on Cabinets of Curiosity

Historically, 'wunderkammers,' or curiosity cabinets, served as lavish displays of wealth and knowledge among the Renaissance elite, encompassing diverse collections of rare objects, natural artifacts, and culturally significant items. These intricate assemblages, often found in the homes of royalty, aristocrats, clergy, and scholars, were typically housed in meticulously designed, thematic environments, showcasing a broad spectrum of religious relics and ancient treasures.

Over time, as grand rooms gave way to more intimate settings, the practice of collecting and safeguarding precious items evolved, leading to the creation of elaborately compartmentalized furniture: the cabinet itself becoming a repository of wonders.

Belgian artist Katrien Van Der Schueren revitalizes this enduring concept, transforming the traditionally opulent wunderkammer into something more accessible and profoundly personal. Her new wall-sculpture series, 'The Ark of Us,' features distinctive hand-carved fragments that reimagine the act of collecting as a widespread, intimate ritual. This polymathic artist's work transcends the historical, creating a contemporary echo of an ancient tradition.

These visually rich, puzzle-like reliefs, though undeniably maximalist in their formation, ingeniously integrate hidden compartments. These secret spaces are ideal for storing any object imbued with personal significance, offering a sanctuary for cherished keepsakes. Each mural acts as a composite portrait, with individual artifacts held within representing a unique life experience. The collection is currently on display at Onna House, former fashion entrepreneur Lisa Perry's gallery in East Hampton, where the panels, both architectural and fluid in form, create a captivating contrast against the stark modernist backdrop. The natural light pouring through the expansive windows and skylights further accentuates their intricate details.

Van Der Schueren's creations, which will be exhibited until July 12 as part of the group show 'In Her Hands: From Marble to Wood,' were previously showcased at Galerie JAG during PAD Paris in early April. The artist masterfully unifies disparate natural elements—wood, stone, metal, plaster, resin, and pigment—into cohesive, almost fossil-like compositions. Through her innovative approach, she pushes the boundaries of traditional craft techniques, forging richly detailed topographies that are, in essence, entire worlds unto themselves. This artistic endeavor reminds us that true value often lies not in grandeur, but in the intimate stories and personal connections we weave around our treasured possessions.